www.nicolowhimsey.com


Reviews and Recommendations!
Here are just a few of the many wonderful experiences people have had with The Nicolo Whimsey Show!


Folger Shakespeare Library


John F. Kennedy Center
for the Performing Arts
.


Anne Arundel County Public Library


The Washington Post- Thursday February 26, 1987- Style and Arts B7

In a Juggler Vein
By Pamela Sommers
Special to The Washington Post

On Nick Newlin's first day as a Harvard freshman, he found his true calling. "I came into my dorm room, and one of my roommates was juggling, doing a few three-ball routines," explains Newlin, a k a Nicolo the Gypsy Juggler. "I had never seen juggling up close before, and was really floored by it. It excited me incredibly right off the bat. So I started practicing."

Though enrolled as a psychology major, Newlin spent the next two years perfecting his new-found craft and playing electric piano in a rock band. Then he made his first significant career move. "I had a vision in my mind that I could make a living as a street performer in Paris," says Newlin.

So he took a year off, found a nice little apartment near the Centre Pompidou--a prime location for outdoor entertainers using that museum's huge courtyard as their stage--and began his self-styled internship.

"I wrote a poem in French about rabbits and hunters and had the -juggling balls go along with the story, so that as I increased the number of balls, the rabbits were multiplying. I also juggled burning torches that I carved out of broom handles ..-. I was miserable at first, .but I watched the other performers, and learned how to gather a crowd · and get people to pay afterward."

For a time, Newlin teamed up with a French entertainer, and then rounded out his year abroad with a - working tour of southern Europe. On his return to the States, he plied his trade on the streets of Boston, San Francisco, Key West, Fla., and other venues, taught juggling and, in 1982, even managed to complete his undergraduate degree.

It was during that period that Newlin become aware of and eventually associated with the New Vaudevillians, a young crop of clowns, magicians and stunt people--among them the Flying Karamazov Brothers, Avner the Eccentric, Bill Irwin, Penn and Teller, and :the members of the Chesapeake Vaudeville Revue--intent on both celebrating and reenergizing a classic theatrical form. The latter group, a loosely organized ensemble of artists founded by New York tap dancer "Toes" Tiranoff, provided Newlin with a particularly congenial forum for his act.

"We all met in Baltimore, while performing side by side at Lexington Market as part of this 'sprucing up the atmosphere' job. Toes originated the group and the name, and different performers have come and gone." (The current roster includes Tiranoff; 7l-year-old hoofer Lewis (The Hawk) Hawkins; Joanne Flynn, a tightrope walker and mime who calls herself "The Queen of Whimsey"; drummer/guitarist/pianist Alan Paul Dean Jr.; and Newlin.) "We decided we didn't want to crowd each other out, so we live in different cities," Newlin jokes. "We all rehearse our bits individually, and then bring them together in as cohesive a way as possible. In the best tradition of vaudeville, we present one unusual act after another."

Take, for example; Newlin's "fruit flambayonet": "It's an invention of mine, the only one of its kind I think. I knew that a lot of jugglers I juggled flaming things and;sharp things, so I thought,'Why not do something that is both flaming and sharp?' So it's essentially a torch with a blade attached to it, and then I juggle another sharp object while , eating an apple, and then I throw the apple up and attach it to the blade while the flames are licking around me."

Aside from his work with the Chesapeake Vaudeville Revue, Newlin makes his living by appearing in theatrical productions such as the Folger's zany "Merry Wives of Windsor" and on the Renaissance fair circuit. With the Queen of Whimsey and her animal associates--two mules, a donkey and two performing roosters--he travels for nine months out of the year, residing in a little pop-up trailer on various festival sites. Newlin says the transient life style suits him just fine; when things get to him, he just starts juggling.

"It's kind af like meditation," he explains. "You're so concerned with keeping the balls going that you can't think about your car payment."


Washington Times November 02, 1996

Making a World from nothing
by Raymond M. Lane
Special to the Washington Times.


Kids are sprawling, laughing in an auditorium filled with families and children. The racing madcap antics of “The Nicolo Whimsey Show” is probably something they’ve never seen before: insane juggling, merry music, flute and musical -saw playing and character acting more outlandish than any Saturday morning cartoon.

There are a fire-dancing chicken, rope walking and sing alonging. Flying through the air in tight circles are juggled Indian clubs, hammers, torches, hats and blobs of play putty the size of Big Macs.

All of this is seamlessly melded into a flawless, heart-quickening unity done so fast the 45-minute se leaves parent and child breathless for more. It’s ‘environmental theatre” taken about as far to the edge as it can be for children.

Behind it all is a quiet couple from Brandywine, Md., in southern Prince George’s County, Nick Newlin and Joanne Flynn. “It’s theatre,” Mr. Newlin says in a husky, post-performance voice. “Something about it is so pure. It creates a new world out of nothing and brings color and joy to an otherwise empty place. We performers do that, creating in an instant, a happy community that you’re responsible for bringing together.”

“Hmm,” Miss Flynn says after a while. The quiet one with a science degree from Cornell University, on stage plays Harpo to Mr. Newlin’s Groucho. Matter-of-factly, she adds that both feel “kind of blessed in certain ways for having this kind of life.”

And so it goes at the couple’s 8-acre spread in Brandywine called Oakey Dokey Acres, where they practice about five hours a day. They have a 300- pound pig named Venus, who when performing rolls out a red carpet with her nose and delivers a bouquet of roses to the Queen of Whimsey.

Roderick the fire-dancing chicken is, of course, a rooster. Three mules named Fritz, Applejack and Agnes, as well as Bingo the donkey, are featured performers when the duo play at area Renaissance festivals.
“That’s where we met,” says Mr. Newlin, who has a Harvard degree in psychology and is working on his master’s degree in theatre from the University of Maryland. “She was stilt walking, I remember, and, of course, we immediately fell in love.”

They went to Europe for a while as street-performing jugglers. musicians and clowns. “Not that it was all roses,” Mr. Newlin says, “Street performing is an interesting occupation because it brings both the great highs and the lows of theatre.

“On one hand, it’s the most organic form of entertainment possible, when huge hordes of perfect strangers have a good time and pay you a lot of money. They again, when it’s windy and cold, you’re standing on the street corner and people just walk by staring at you, that’s when a Harvard grad may reconsider his life choices in a different light.”

Still, he also directs Shakespeare at the Banneker High School Summer Shakespeare Festival. She had a bit part in “Her Alibi” with Tom Selleck, and both play minor roles in “Washington Square,” a film shot in Baltimore with Jennifer Jason-Leigh and Albert Finney to be released early next year.

They’ve had small parts in operas at the Kennedy Center. He plays piano and accordion in a wildly eclectic band called “Jamnation” at the Layhill Cafe in Wheaton.

As for their future, Mr. Newlin says the goal is “to continue to perform for kids and families, building on the educational value of this kind of theatre. We’re working up a residency program for the Boys and Girls Clubs of Hagerstown, teaching them circus skills and juggling.”
After all, Mr. Newlin admits, “there’s no jugglermen’s compensation.”


FOLGER SHAKESPEARE LIBRARY
Division of Education and Public Programs

20I East Capitol Street, S. E.
Washington, D.C. 20003-I094
TEL: 202/544-7077
FAX: 202/608-I7I9
www.folger.edu

September 1, 2002
To Whom It May Concern:
Mr. Nick Newlin has been a valued contributor to the Folger Library's educational program for many years, and in many capacities. His ability to educate, entertain, and inspire students wins our strongest recommendation.

Mr. Newlin has been a director-in-residence at Banneker High School in the District of Columbia for the past six years, preparing students to perform a Shakespeare scene at the Folger's yearly Student Shakespeare Festivals. This type of artist-in-the-school residency requires professional experience in working with and directing students; experience Nick Newlin has in abundance. It also requires, however, a strong commitment to helping students, particularly inner-city students, recognize their own potential as creative artists, a goal that is made more challenging by language that even many adults find difficult. Engaging students in the process of understanding, rehearsing, staging, performing, and enjoying a Shakespeare scene is something Mr. Newlin does with such mastery that his scenes are often awarded special recognition by the commentators at our festivals.

Mr. Newlin has also had a long history (about 20 years) of working at the Folger as an entertainer. The NicoloWhimsey Show has been featured as part of the Student Shakespeare Festivals and also as part of other celebrations that the Folger sponsors yearly, including Shakespeare's Birthday. As a performer, Nick Newlin entertains with wit and wordplay, stressing the importance of language and movement to performance and art.

The NicoloWhimsey Show has always had a very strong message--each show ends with the words, "Remember: If you shoot for the moon, and miss, you're still among the stars." Mr. Newlin is now incorporating the theme of teaching tolerance into the NicoloWhimsey Show-our experience with him as an arts educator recognizes this as a natural progression for a show that has always entertained and inspired students, teachers, and the public.

Nick Newlin is one ofthe best performers I know to introduce young people to performance in an educationalcontext. He is an artist, but he is also, first and foremost, an inspirational teacher, and his work with the Folger has been exemplary. Please feel free to contact me personally at the Folger via email: jfieldpickering@folger.edu or by phone: 202-675-0372
if you have any further questions.

Sincerely,
Janet Field-Pickering
Head of Education


Anne Arundel County Public Library
5 Harry S. Truman Parkway
Annapolis, Maryland 21401
410-222-7371

October 1, 1998

To Whom It May Concern:

Nicolo Whimsey presented 24 performances for the 1998 Summer Reading Program at all 15 branches of the Anne Arundel County Public Library. The shows were very popular. Our audiences included babies, preshoolers and elementary school children with their parents. They gave rave reviews about NicoloWhimsey's special blend of juggling, poetry, music, and clowning activities. The shows also combined high use of audience participation that was both enjoyable and educational. There were lots of laughs throughout the performances!

We were very pleased that NicoloWhimsey was able to offer high caliber performances that kept the attention of every age in our audiences. We are delighted to recommend the NicoloWhimsey show to other libraries, schoois, and organizations.
Sincerely,

Cathy Butler
Programming Coordinator
Anne Arundel County
Public Library


The John F. Kennedy Center for the Performing Arts
Washington D.C. 20566-0001

05 April 2001

Nick Newlin has served as a Kennedy Center Residency Artist for the past two years. Kennedy Center Residency Artists are selected from a large pool of talented and qualified professional artists in the Washington Metropolitan area. Following extensive training in standards of learning, classroom management, curriculum design and other arts education-related topics residency artists are placed in classrooms in the D.C. Public Schools. After collaborative planning sessions with the assigned classroom teacher, the residency artist designs a curriculum that can last between five and fourteen weeks.

Mr. Newlin's work as a Kennedy Center Residency Artist has always been exceptional. He approaches each assignment with enthusiasm and creativity. His experience using drama and storytelling to reach children of all ages was evident in his ability to work with a broad range groups and skill levels. I was most impressed with his ability to adapt his drama residency content to children with special needs. Each residency artist is required to plan and present a culminating event at the conclusion of the residency period. I was always amazed at Mr. Newlin's ability to bring even the most shy child to the stage, and have them perform as a member of an ensemble with confidence and amusing characters.

Always I was met at these events with high praise from the teachers, administrators and students for Mr. Newlin's work. I was proud to have him on "the team." And a true team player he was! His insight into the human psyche always kept workshops and discussion sessions on a positive and uplifting note. He is truly an advocate of the child, of the arts and of humanity. It is my hope that Mr. Newlin will continue to share his gifts and skills with the children of Washington, D.C. His work fills a void in their education and their lives.


Tia Powell Harris

Manager of Community Partnerships

Education Department The John F. Kennedy Center for the Performing Arts.


The Benjamin Banneker Academic High School
800 Euclid Street N.W. Washington D.C. 20001

15 June 1998

To Whom It May Concem:

I would like to recommend Mr. Nick Newlin, theater director- in-residence of the Folger Shakespeare Library (Washington, DC), for a position in teaching/directing drama and theater. For the past several years Mr. Newlin has worked with English teachers at Benjamin Banneker Academic High School to prepare our students for the annual Shakespeare Festival at the Foiger Library. Benjamin Banneker Academic High School is a magnet school that attracts many of Washington, D.C.'s finest and brightest public school students.

 

This year I had the distinct privilege of working with Mr. Newlin who introduced a freshmen class of twenty-five students to acting. Mr. Newlin's preparedness for the working sessions with students was always evident. I was impressed that he learned every student's name in only one session. He assessed each individual's strengths and commitment to optimize the contribution each student-actor could make to our production of Shakespeare's Merry Wives of Windsor. Mr. Newlin maintained control of the enthusiastic freshmen. He managed to keep the students focused and engaged while providing an enjoyable leaming environment.

Mr. Newlin's commitment to excellence in secondary education enabled my students to be the beneficiaries of his hard work, brilliance, and knowledge of Shakespeare's texts. His ability to motivate and direct students in an award winning production of a Shakespearean play is an extraordinary feat. He works well with students from diverse economic -and cultural backgrounds by consistently encouraging each individual to reach for his or her full potential. Mr. Newlin is a superb communicator and handles complex and sensitive situations with tact and firmness. He is constant professional with whom it has been a pleasure for me to work.

If you have any questions concerning Mr. Newlin, please contact me at tel.

(202) 673-7322 or (202) 667-0192.

Sincerely yours,

Leo R. Bowman
Teacher of English
D.C. Public Schools



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